Expression always comes first, then I decide if the technique required is best suited for a digital or the hand-operated loom. When I work on my artistic projects, technique becomes secondary. Here I choose and go by my intuition and heart. I use ancient techniques dating back to the Viking times.

In Denmark, we feel the changing of the seasons quite dramatically: the melancholy of autumn and the crispness of winter, the lush beaches of summer, and the bare, ravaged beaches of winter. The sea is a constant inspiration for my work. I need to see and feel it every day.

I am always curious and constantly searching for new ways to express my art. Working with industrial design, functionality and space dictates my method. This framework limits my creativity but also sets it free. Constraints can be creatively liberating.

I’ve learned to listen to what the material is telling me. My craft is about bringing out the essence of the material - the feel and mood of the material dictate the expression, which in turn dictates the method. It’s a humble and very gratifying approach.