The House of the Peacocks is one of the few examples of Art Nouveau architecture in Geneva. Vincent’s work involved restoration and renovation of the decorations on three façades of the building, as well as the two monumental entrances carved with motifs of peacocks sculpted in the round.

Vincent restored the sculpture of a middle-aged woman on the façade of the 13th-century St Peter’s Cathedral in Geneva. The sculpture was carved from a red sandstone that has not been used since the end of the 19th century, molasse rouge du Petit-Lac. This plant motif is a segment of the reworked piece, using stone from the temporarily reopened quarry in Geneva’s botanical gardens.

Height 80 cm
Length 50 cm
Width 50 cm

This impressive sculpture revisits the Creation, bringing the religious theme into the digital age. The marble hand and plinth have been pixilated, as if contaminated by a digital bug. The glitch makes the sculpture appear lighter, dematerialised, raising questions about the absence or presence of space captured in the stone.

Height 270 cm
Length 120 cm
Width 120 cm

QR codes personify the technological abstraction that overwhelms our daily lives. By using algorithms to create them, we have invented a language that’s impossible to learn. However, their aesthetic presence is invasive but not questioned. Vincent transforms them into sculptures.

Height 35 cm
Length 35 cm

This marble sculpture is one of six from Vincent’s Miniland series produced by StonetouCH and presented at Art Basel Miami 2010. The concept behind the piece, which embodies a desire for sustainability, is that of the Doppia Firma project, namely to enhance the collaboration between a creator, artist or designer, and a sculptor who was entrusted with its production.

Height 40 cm
Length 40 cm