Four bowls are piled on top of each other. Wet wood was turned into thin-walled bowls. Unexpected surface images of the wood structure emerge from the differently cut heartwood and sapwood during the turning process. In the drying process, the object finds its own shape.

Cherry wet wood was deliberately chosen in order to use the different wood properties of cognac-coloured heartwood and sand-coloured sapwood in the drying process. The round turned shell shape thus gave rise to the sought-after beak shape of this bowl.

Maple rings were turned to make the feet of these vessels. The surfaces of the vessels are wood, brushed, dyed red and black or brûlé. Individual surfaces are reminiscent of black fur. The inner surfaces are gilded.

This is a stool with screwed, interchangeable chair legs. The delicate, light legs with turned shapes stably connect the slightly curved, solid seat to the floor. The reddish splash core gives the seat something special.

Here are two towers of turned bowls. Lurin, in the shape of a truncated cone with a gilded, luminous interior. Unda, for fruit, with a narrow stand and ogee curved body. The outer surfaces are brushed, dyed red, yellow, blue or brûlé and in nature.