I would be tempted to tell you “everything”. My daughters laugh at me because I am quite capable of walking about and suddenly seeing a manhole that I think is incredible. I stop and take a photo and my daughters say: "Here you go again Mum, always thinking of embroidery." So I am very curious.

I would say that we are not limited in terms of techniques, which are really varied. So it’s possible to be really innovative, to take the raw material and create something else. The applications of this craft are so numerous that we can really say there are no limits.

I know that the day I decide to stop doing this, there will still be things that I haven’t explored, there will still be techniques or new materials that I haven’t tested. So I’m lucky that I will never be bored. That’s what makes this job a real passion for me.

If I have to choose just one moment it would be the unique piece that I made for Cartier with my friend Philippe Nicolas, which was eventually exhibited at the Grand Palais in Paris. It was a piece all in knotted gold, a 15th century technique, which depicted the virgin and the child.