My first step was to take ceramics courses in a small studio in Hamburg after work. To implement my ideas, I quickly realised I needed to pursue my education more intensively so I enrolled as a part-time student at Höhr-Grenzhausen Technical School for Ceramic Design. It was in 2015 that I officially ended my association with publishing to focus exclusively on my ceramic studies. In 2017, I started selling my creations.

The art of calligraphy is not directly related to ceramics, but I have worked with it intensively since my studies. The method is always something I enjoy using in my work. My poetry cups consist of calligraphic texts written on one line that overlap so much that the words are no longer legible, and are more characterised by their rhythmic pattern than by their words.

Throughout my work, I believe I have my own signature, which is mainly defined by aesthetics. I find inspiration in shapes, fashion, architecture, and of course nature. When it comes to colours, I am rather sparing, but I like to use contrasts such as light versus dark, coarse versus fine, glossy versus matte.

At the moment, I like to give chance a lot of room in my work. Therefore, I am very intuitive when it comes to hitting, throwing, building, and cutting. This has led to the creation of more and more individual pieces in recent years. In many cases, they take the form of sculptural vessels. This method of working freely is very enjoyable to me.