Every object is first drawn with a pen on paper. In creating my objects, I value working with my hands and that starts with drawing them by hand. My collection currently consists of 4365 sketches. Due to the fact that I number them, I know that with certainty!

My work is always focused on finding the perfect shape. In addition to each object's proportions, I also consider how they relate to other pieces. My work always strives to have an intrinsically sculptural value. In my opinion, 1136 and 1139 are particularly successful shapes.

My work requires a lot of patience. I let my work dry for 1 to 2 months before firing because of the nature of my constructions. A moment of deep immersion comes sooner or later with every object. If that happens, I am confident that the piece will be well made.

Professor Eugen Gomringer, regarded as the father of Concrete poetry, invited me to exhibit at the Kunsthaus Rehau, where his own work is also archived. He understands how objects affect each other differently when they are positioned in relation to each other. Playing around with the objects and setting up the exhibition was a lot of fun for both of us. Mr. Gomringer must have been in his early 90s at the time.