During my sustainable design research for my MA at Chelsea College of Arts I investigated the material life cycles of paper, reviewing its value and our consumption of paper. Then, I started researching the potential of craft and the strong relationship between natural materials, sophisticated traditional skills and sustainable approaches by incorporating digital technology.

In 2016, I was investigating potential approaches to long lasting paper through traditional Japanese craft techniques and found Kakishibu, a type of paint made from the Japanese fruit, persimmon. I started making my original Kakishibu paper using paper waste and a new technology and laser cutting. I created a stronger 3D structure from delicate paper by making slits to minimise production waste.

Whilst I have been based in London since 2011, my practice is underpinned by traditional Japanese craft techniques and aesthetics and also, through the deployment of Kakishibu, a produce unique to Japan. My craft is heavily influenced by my cultural roots, especially Japanese philosophy and ideas regarding life cycles.

Everyday landscape and natural materials. I am particularly drawn to the lightness, flexibility and delicacy of paper, which conjures up images of bird wings, fluidity and the elegant movement of birds.