It is an incredible feeling, when you are making mosaics and you can steadily see it growing beneath your fingertips. Piece by piece, it becomes highly meditative, especially when you spend hours ‘in flow’ working on a piece. Installation is a critical part of the process but there is nothing more satisfying than seeing the finished work in situ.

Since most of my work is by commission, I do not have so many opportunities to show my style, other than by ensuring the quality of workmanship, such as preciseness of the cuts and sensitive placement of the tesserae. In my art pieces, my style is more three dimensional, with pieces of different heights, offering something that teases the eye.

Yes, mosaic as a craft developed in the Mediterranean area. It started as something functional, but then became decorative. The school I went to in Italy, Scuola Mosaicisti del Friuli, has been training mosaic artisans for more than a century and is the one and only school to do so.

For me a well made mosaic requires a combination of skills and knowledge gained through many years of training and work experience. The things which are really critical to doing good work are the quality of the cutting, quality materials, a very close attention to detail so that designs flow and create a balanced composition.