We use 18th century techniques. Our tools allow us to emboss and print different papers such as papyrus or washi. We have rediscovered a disappeared technique: stone cardboard, used initially for relief decorations. Recyclable, it is made from crushed paper, glue, chalk powder and linseed oil.

We are committed to respect the original know-how of woodblock print wallpaper, notably through the materials used, all of natural origin. Yet we do not hesitate to use technology in our production tools, for efficiency reasons. The intelligence of the hand remains the main decisive vector.

My residency at Villa Kujoyama, in Japan. For four months I was immersed in another dreamlike space-time, listening to my intuitions and to all the fields/sounds of paper. The relationship with craft is sacred in Japan, the knowledge and interest in paper is very important. It was very inspiring.

Time travel, projection into the future, the mysteries of creation and human encounters. Thanks to the support of the Bettencourt-Schueller Foundation, I can pursue my artistic work in parallel to my activity as a craftsman, notably around a project on the sound of paper: The organ of paper.