What is your training?
I have always been interested in plastic arts, craftsmanship and interior design. I am self-taught, but I had the opportunity to work with many artists from whom I have learned their techniques, but above all, I have discovered their processes to materialise an idea.
Did you learn restoration from a master artisan?
I learned with Bep Florit, a restoration artisan who specialised in furniture. After working with him and other artists, I realised that in every process there are parts that are not rewarding but necessary for a good result. Each of the steps is important and requires the same attention and dedication.
©Marco Peri
How would you define the craft work you do?
My craftsmanship results from my research and experimentation process to find channels of creative expression. With my artwork, I seek to create sensations and fascinate viewers. I also want to encourage them to ask themselves questions when they see that I make my pieces with a common material such as cardboard.
Could your profession be considered in danger?
I believe that all the trades related to art and craftmanship are experiencing a moment of expansion that also allows me to do my work with this freedom. I also think that an interesting phenomenon has been taking place for a few years now that blurs the boundaries between art and crafts, as well as between art and design.