Artisan Estefania Padilla has handcrafted Yamb, a beige stoneware jug inspired by African culture, art and nature. The ceramicist used the pinch technique to create the base, joining two bowls at their widest point. She also used the slab technique to create the neck and handle of the jug, which has a textured design. Finally, Estefania brushed the jug with an off-white enamel, revealing the piece's irregular pattern and different layers.

Estefania Padilla made a black and white stoneware plate using the slab technique. She then brushed it with beige clay to create a deliberately irregular layer. The ceramicist wanted to create a distinctive texture, as the stoneware's natural colour appeared in the areas with less engobe. Finally, she sgraffitoed the plate, removing the white clay to reveal the striking black colour of the stoneware underneath. This process allowed her to add an intricate irregular pattern of curved and straight lines to the piece.

Estefanía Padilla created this beige stoneware mug inspired by the irregularities of human skin. She used the pinch technique for the rounded base and the slab method for the body and handle. Estefanía shaped the handle by hand, giving it a unique, organic and irregular shape. She then brushed it irregularly with an off-white glaze and scraped it with the brush, creating different layers and textures to reveal the original colour of the stoneware.

Estefanía Padilla handcrafted Rīp, a beige chammotte stoneware bowl inspired by the Latin term 'rīp', which means to rip or tear. The ceramicist used the slab technique for both the cylindrical base and the top of the bowl. She tore the rim by hand, giving the bowl its distinctive, organic and irregular shape. Finally, she used a brush to glaze the piece with irregular and broken white or grey-green glazes.

Lum, a vase made of beige refractory clay, takes inspiration from the spinal column. The ceramicist used the coil technique and hand-sewed the piece to achieve an organic and natural shape, narrower at the top and bulging at the bottom. Finally, she added a longitudinal coil as the only decorative element that resembles the vertebrate appearance of a spine.