This incense burner combines two shapes, the circle and the square, which together represent the concept of harmony between the spiritual and the material world. The surface is carved black stoneware coated with a few layers of white slip. The piece was fired at 1200°C in oxidation and is unglazed.

This black abstract sculpture is created with the traditional techniques of coiling and pinching. It is inspired by the archetype of the Mesopotamian goddess Ištar. The numerous curves that make up the edge of this piece represent sensuality and unconstrained fluidity, as a tribute to the feminine and Yin archetypes. Black, groggy stoneware was used and fired at over 1200°C in oxidation. The piece remains unglazed.

This decorative ceramic vase has a white sphere as lid. The texture on the surface of this piece is achieved through a mix of pinching and coiling techniques. The rim of the vase is glazed in a bronze glaze that creates an interesting contrast with the white of the body of the vase. The piece is glazed with a matte, white glaze and bronze glaze.

This sculpture was inspired by the full moon, hence its name. It is entirely hand-built using a mix of slab and coiling techniques. The surface of the sculpture has a lot of texture which creates a sense of depth.

The inspiration behind the shape of this incense burner is the new moon. This is why Chiara Della Santina chose black clay for the body. This piece was created using a mix of slab and hand-building techniques. The surface was left unglazed and the exterior presents an organic texture that creates an interesting contrast with the inside of the piece.