This piece is made in two parts with hollow modelling and stamping, then adding elements one by one. Three firings are necessary to achieve the final objects: one at 1050°C, then another at 1280°C and a last one at 755°C. Cathy Marre created this piece in a context where humanity shows an infinite growing industrial exuberance, to the detriment of its biotope. This accessorised creature represents the human kingdom, enthroned on a living world that is still trying to breathe, to reach its last breath.

This piece is made by hollow modelling for the shape, and then adding the elements one by one. Firing is done at 1050°C.

This piece is part of a Carapaces series, hard and solid coatings, which cover all or part of the body of certain living beings. To Cathy Marre they symbolise robustness and protection, but above all wild immediacy in the face of possible dangers.

This piece is part of an Organ series, the idea being to create generous organs reflecting the delicacy and splendour of an imaginary living world.

This piece is part of a Kemet series. Cathy Marre personifies a living mass, a shell, an underlying being, while preserving its intriguing organic aspect.