There is no opening in this big cube. It consists of six identical parts. The veneer with dark and light woods results in a geometric pattern with high contrast. As soon as the inlay is put on, the parts are glued together and assembled. The lightly convex shape gives each side volume.

In contrast to earlier bowls made by Ulrike Scriba, this teardrop shaped piece has softer, round shapes. It is worked very thinly from a heavy block of veneers made of local bog oak with a light black-brown colour gradient, and maple dyed blue. These blue pieces were glued to the surface. Adding veneers to the concave and convex surface poses a technical challenge as they are not very flexible.

This small chest with a single drawer is intended for the storage of jewellery. It is square in shape. Different tones of wood are kept in light shades to create a harmonious small-scale design.

In contrast to earlier bowls made by Ulrike Scriba, this triangular work has softer, round shapes. It is worked very thinly from a heavy block. Different bog oak veneers of predominantly black-brown colour are applied geometrically in a high-contrast pattern. Adding veneers to the concave and convex surface poses a technical challenge as they were not very flexible.

This small silver lidded box has a soft squarish base and a flat squared silver lid. The jigsaw pattern of the veneers was achieved by sawing to produce a dynamic pattern with high contrast between the brown walnut and nearly black ebony. A veneer of ray skin and horn covers the lid, with the same pattern.