Of course – it was the upper wall ending above a tartan patterned wallpaper in Schiller’s reception room: green drapery with golden embroidery, entwined with a rose garland, all on a slightly rose-coloured, satin-finished surface. Such an enchanting pattern!

I’m happy that we are now recognised for our profound expertise and high quality craft skills all over Europe. We work for castles and palaces, museums and also private owners of historical buildings in many countries – often in cooperation with the official national heritage agencies.

Two steps are always necessary for the successful execution of a project. First, you have to study the archives and literature and finalise a restoration concept including making a decision about which printing method to use. Then the printing process starts, leading to the installation of the wallpaper on site.

I really appreciate connecting tradition and innovation through the alliance of historical design principles, printing techniques and materials with the computer aided drafting of sketches, as well as using the most innovative production methods for print models and rollers.