Velimir decorated these porcelain 'letters' with engobe, a pigment mixed with porcelain. The piece evokes material we throw away such as newspapers, letters and boxes. He wanted to find a coherent aesthetic between the three forms to unify them as one.

This form was slip cast in a plaster mould and painted with engobe, transparent glaze, over-glaze and gold leaf. The sharp, robust nature of the form is softened by painted foamy clouds, which appear to be sitting atop mountain peaks.

Velimir intended this sculpture to “flow like wind, water or music”. He creates the illusion of movement by juxtaposing fragile coloured porcelain strips with a heavier white porcelain form, which is painted with trompe l'oeil shadows. The horizontal strips have been fired separately and then glued to the heavier slab-built porcelain form.

By painting lines on the classical form of this slip-cast sculpture, Velimir wanted to give the illusion of it being tied up like a parcel with string. With this piece, he attempts to translate his personal interpretation of science into art.

This form was slip cast in a plaster mould and painted with engobe, transparent glaze, over-glaze and gold leaf. The sculpture evokes the illusion of clouds. Velimir enjoys being surprised when he looks at other people's art and attempts to surprise his audience with his own.