In what way did your stay in Japan influence your artistic expression?
My experience with traditional Japanese ceramic techniques was transformative for my artistic expression and development. Exposure to a new environment and culture allowed me to absorb impressions of a new environment and gain an understanding of the context of Japanese ceramics.
Could you describe these influences in more detail?
This is reflected in my work, particularly in the delicate embedding of tensha transfer paper within the porcelain, which features traditional Japanese patterns, each with its own symbolic meaning. My work also reflects the Japanese aesthetic principles of wabi-sabi, which appreciates the simplicity, imperfection, and beauty of natural materials.
What is the idea behind Galeria Blatobran, of which you are a co-founder?
The desire to create a physical space where ceramicists and designers could exhibit their work, network and exchange new ideas with each other and the public. We saw the potential for a dedicated gallery space to promote and celebrate the beauty and versatility of ceramic art and creative design.
Is there something about your work that people do not usually know?
How much energy and effort are required to go through the entire process of creating ceramic works. Artists invest a significant amount of time, energy and attention to detail to each piece. The level of effort and dedication involved often goes unnoticed by those unfamiliar with it.