I use traditional techniques such as fresco painting, chipboard templates on glass or traditional wall decoration and wallpaper techniques. The constant search for new renderings, new materials and new motifs allows me to multiply my field of possibilities and constantly renew myself.

The fresco maker's masonry tools, which make it possible to create magnificent white leaves by carving. I also really like the tools of gilding; the gilding cushion forms a small screen that protects the gold leaf. When you are perched on a scaffold creating a large-scale work, it feels very poetic.

I like the effect when I mix raw materials with precious ones. I am able to give my works a luxurious feel without ostentation, so that the décor or furniture remains elegant. For example, I use gold leaf in my work; it serves a graphic purpose and provides texture.

Mixing tradition and innovation is in the DNA of my work. I collaborate with other craftspeople, such as glassmakers and paint manufacturers. I combine traditional techniques with my own contemporary and personal interpretation to develop tailor made solutions.