In my early work, I was very interested in graphics in ceramics: the decals, the clarity of the drawing, and how to convey this from a technical point of view. I am also very interested in bright, contrasting colours and how to combine them. I do not like to work safely, I need colour and compositional challenges, and I am pleased when I overcome them.

The work has to be technically sound first of all. For me, that is very important. It has to be not too thick, not too thin, and not crooked, and the colours have to be what you wanted, not what you "got." Randomness is fundamental to me, but I aim for it. It has to be deliberate and controlled.

I am keen to try everything new, including the range of innovations and possibilities. One of the most interesting creative projects in recent years was a collaboration with fashion designer Alexander Pogrebnoy: we designed the outfit for the Lithuanian biathlon team for the Beijing Olympics. A print of a ceramic panel I designed was used for this outfit.

If there is no inspiration, I cannot create at all. I cannot create when I am in a bad mood, either. Others create out of suffering, but my work is born out of joy. I do believe, however, that the energy you put into your work stays there. I am inspired by what is new, I am interested in testing, feeling, and adapting, and driven by the new and fresh.