How did your career begin?
I started making things in the workshop of the farm I grew up on, there were always materials and tools available so I started carving and constructing things. I began by carving offcuts of oak fencing posts, then casting vessels in lead that I scavenged from firewood stores and scrap yards.
What drives you?
My work is driven by twin fascinations of texture and translucency: exploring these two almost opposing qualities through hand carving and advance casting, I push the possibilities of materials and techniques to their limit.
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Does your work reference your surroundings?
Whilst the materials I use and the clients I work for are widespread – they come from all over the world – my work would not be possible without the really strong network of suppliers and specialists I have built up locally, they support me in being able to realise the work.
Are you a carver, a sculptor or a furniture maker?
I would say that I am a sculptor who works in the space between the fine and decorative arts, across a wide range of disciplines, creating both pure sculpture and sculptural objects that might have some practical application, such as sculptural furniture or vessels.