This is a length of selvedge denim, for which the warp was hand dyed with natural indigo, and hand woven on an old WeaveMaster loom. It is made using 100% industry waste cotton. It is photographed on the steps of St Olaves Parish hall in London, where it was woven during a residency at The Experimental Weave Lab.

A celebration of the ‘check’, these pieces have been woven off-loom around a wooden base, by hand, using needle and thread. The colour palettes are, respectively, green, black, yellow and white; forest green and lime; and lastly, indigo, rust, nude and lime. Each is framed using a highlight colour from the artwork, in hand stained oak veneer. The pieces are created using industry waste yarn of wool, cotton and linen.

This is an artwork that was woven off-loom, by hand, using needle and thread. The warp is ecru modal and green tea fibre, and the weft is hemp. This piece was woven using a 3/3 twill, in celebration of the ancient twill structure. It is framed in white, and here photographed beside a vase of green foliage and some books about ikat textiles.

A small pebble has been used as the base for this tiny woven object. It was woven off-loom, by hand, with needle and thread using a 3/3 twill structure, and a white cotton and latex thread.

These three framed woven artworks were all woven off-loom, by hand using needle and thread. This group is a celebration of woven structure as an artwork in its own right, and of craftsmanship. The piece on the far left is a Prince-of-Wales check in black and light grey, the middle piece is woven using a 2/2 twill structure in white, and the piece on the right is an oversized houndstooth in black and white.