A vividly-coloured stained glass panel made for the National Museum of Scotland, exploring notions of beauty and the beauty industry. This detail shows a stereotypical blonde madonna with a pink, blue and yellow halo of Botox needles and scalpels. Above her head is a set of gold medieval scales asking “Worth it, or not worth it?”, referring to the famous TV advert.

Length 120 cm
Width 60 cm
Height 7 cm

A classic, darkly comical British seaside scene with blue sea, green lawns and an angel in a blue-and-white stripey chip van under an orange sun. Inspired by a text from the bible, but reflecting upon global warming, terrified people are being attacked by hungry seagulls. There’s a helter-skelter, a giant Punch (the puppet) selling the bible text, a fishing boat with empty nets and gloved hands brandishing trowels, symbolising nature fighting back.

Length 90 cm
Width 80 cm
Height 7 cm

Two red figures falling downwards against a blue background in which there is hidden a huge grinning skull. Rows of white pills fall into their mouths. Beautiful, highly-detailed red opium poppies and poppy seed heads oozing opium appear in the background. The work is a protest against the increasing use of opioid painkillers.

Length 90 cm
Width 60 cm
Height 7 cm

The artist asleep, dreaming of a much-loved childhood haunt in Scotland which was blown up and destroyed by a government-sponsored oil company in the 1970s. There’s a red lace bedcover with a yawning cat, oil lamp, her parents in bed, her legs running across the countryside, aurora borealis and silhouetted mountains with a razor wire fence, derelict buildings, green rowan trees with red berries, graffiti and gorse bushes and a danger sign.

Length 60 cm
Width 45 cm
Height 7 cm