I was an avid violinist from my early years. At the age of 16, I went to a luthier’s workshop for repairs and fell in love with the craft and the world of lutherie. I realised that I was more drawn to the construction of the instrument than actually playing the violin myself.

I have always been a hands-on woman and have enjoyed the arts, music and practical work since childhood. To move into a craft that requires such manual dexterity and physical hard work mixed with artistic flair and design seemed very natural to me.

There is no country richer in the cultural history of lutherie than its birth place, Italy, where I am proud to live and work. I enjoy sourcing local woods to tie my instruments back into the land and I take a great deal of inspiration from the historical architecture of the country and its diverse regions.

An act of love and patience – and a little pain. I push my body and my hands and my concentration to create something that takes on its own life and becomes a practical item, when played by a musician. It can only start its real life when it leaves me.