Definitely. In Holland I learned to let the flowers express themselves, without forcing them into unnatural arrangements. From France, I borrowed a sort of stylistic smoothness. And in Wien I immersed myself in art, that has since become one of my major sources of inspiration.

Not only is it an inspiring place, where you’re surrounded by nature and the sea. There’s also plenty to do in floristry with regards to innovation. Training abroad has given me the opportunity to come back and breath new life into a very old-style environment.

The bold use of colour. Combining hues is the easiest thing for me and the one that I do best. I am not afraid of breaking the monotony of tradition: as white and pink are the obvious choices for a wedding, for example, they are precisely the ones that I’d rather avoid.

I play with contrasts and use species that cannot go unnoticed, with remarkable sizes, sharp edges or strange leaves, like sterlitzia, Vanda orchid and monstera. Spray paint is an option, too, and design vases always help. What is important is setting no limits to creativity.