This wall-hung textile, a mixed media assemblage on a wooden panel, was conceived as a flag, where embroidered flowers in yellows, reds, pinks and blues float above 1,000 trapped white toy soldiers. It is a comment on warfare, conflict, entrapment and remembrance.

This wall-hung textile, a mixed media assemblage on a wooden panel, possesses strong holographic qualities: as viewers move across the picture plane, they interact physically with the work. Embroidered flowers in reds, blacks and yellows float above the ground of trapped toy soldiers.

The format of this wall hung textile, a mixed media assemblage on a circular wooden panel, refers to the history of cartography, the desire to map journeys. Technically the work is a synthesis of digital, analogue, photographic, painterly, sculptural and stitched processes.

The circular format of this wall-hung textile, a mixed media assemblage on a wooden panel, refers to both Petri dishes and the atlas/globe arenas within which action unfolds. A fusion of diametrically opposed materials and ideas, each with a strong cultural resonance.

This is a three-dimensional stitched work that refers to the traditions of mending and repair. In this wall-hung textile, a mixed media construction on metal lattice framework, handmade threads move back and forth in space, connecting individual sections and tracking thought processes.