Being near both to the sea and the mountains, this landscape is a great source of inspiration. The colours of the nature around me also determine the palette of my artwork. I have begun to dye my wool with local plants, some of which I have collected from my grandmother's garden.

Through the fusion of traditional tapestry techniques and contemporary computerised weaving design, I have created a picture-in-picture effect that appears simple from a distance but becomes increasingly complex upon closer inspection. I also used handcarding and hand spinning of raw fibres and natural dyeing of the yarns.

It was my goal to create a colour palette reminiscent of the sea during a storm. Each season, for the past two years, I have collected native plants such as nettles, gorse and alder cones from the local riverbank, as well as lavender, roses, eucalyptus bark and leaves. In this way, I was able to create a relatively large colour palette.

Yes, I could. I gained a great deal of freedom when I reorganised my sales due to the pandemic. I could work anywhere, provided I had my materials. When I finished my studies, I spent some time in Australia. There, too, I was inspired by nature and created a colourful collection.