This classical full leather binding is crafted following the French tradition of book binding. The binding is sewn with five hemp cords and linen thread, and the flyleaves are crafted with blue goatskin suede. All the edges are gilt on deckle edges with gold-leaf. The cover is crafted from natural calf leather, dyed in various shades of blue, embossed and powdered with gold.

This manuscript is bound with a classical full leather binding, in the great French tradition. The manuscript is sewn with five hemp cords and linen thread, rounded and backed. All the edges are gilt on deckle edges with gold-leaf. The cover is crafted from natural calf leather, dyed in various shades of blue, embossed and powdered with gold.

The soft cover of this novel by Patrick Modiano is bound with a full leather binding, in the great French tradition of this craft. The novel is sewn with five hemp cords and linen thread. The interior is finished with leather end bands and pearl grey goatskin suede flyleaves. All edges are gilt on deckle edges with white gold. The book is covered in natural calf leather, dyed in various shades of blue and embossed.

This novel by André Gide is crafted following the great French tradition of binding. The novel is sewn with five hemp cords and linen thread. It is crafted with endcaps, edge-to-edge gold covered paper doublures and brown goatskin suede flyleaves. The edges are gilt with deckle edges with gold-leaf. The cover is crafted form natural calf leather, dyed in various shades of pink, embossed, and powdered with gold. On the boards, there are burled walnut inlaid panels.

This book is bound in a classical full leather binding, following the great French tradition of the craft. The book is sewn with five hemp cords and linen threads. The cover is crafted from natural calf leather, dyed in various shades of blue, embossed and sown with hundreds of palladium dots, on a regular frame. Edge-to-edge doublures and flyleaves are crafted from the same leather, with the same design.