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©Liz Clay
©Liz Clay
©Liz Clay
©Liz Clay
©Liz Clay

Liz Clay

  • Felt maker
  • Westbury-Sub-Mendip, United Kingdom
  • Master Artisan
Liz Clay Felt maker
©Liz Clay

Elevating the potential of wool

  • • Fine felt cloth is Liz’s signature fabric
  • • She sources wool from local farms and sheep farmers
  • • She claims some of her best work was the result of errors

“I have always loved the process of making with my hands. As a child it was basic knitting and sewing, and now it is the transformation of fibre into felt,” says experienced felt maker Liz Clay. After exploring different wools during her PhD and discovering felt in Kyrgyzstan, Liz taught herself felt making. In 2001 she opened her studio. Two decades on and Liz’s textiles, with their unmistakable identities, have adorned high fashion catwalks, from Givenchy and Balenciaga to Stella McCartney. Her work is driven by a persistent curiosity for the endless potential of wool and by her experimentation around ways to create felt products that break expectations. “Felt making becomes a dialogue between hands and material, and my aim is to surprise and delight.”

Read the full interview

Works

  • ©Liz Clay
  • ©Liz Clay
  • ©Liz Clay
  • ©Liz Clay
  • ©Liz Clay
Photo: ©Liz Clay
Striped Chevron cushion

Liz Clay’s experience with wool plays a crucial role in her hand felted designs. This double-sided striped chevron cushion is the result of her hand pleated finishes and her expansion of the technique with complex surface manipulation and steaming.

Height 50 cm
Width 50 cm

Photo: ©Liz Clay
Diamond Chevron cushion

Wool dictates the mark and feel of this fine felt cloth, and Liz Clay’s love for creative experimentation with British wool inspired this diamond chevron cushion. The piece is part of her collection dedicated to innovative felt making techniques.

Height 50 cm
Width 50 cm

Photo: ©Liz Clay
Chevron Matrix wall panel

With this matrix of hand pleated surfaces, Liz Clay exploits the shadow effect and play of light on three-dimensional felted surfaces. After a blank canvas is painted with white emulsion, each tile is juxtaposed to its neighbour to emphasise the interactions of shadows on the surfaces.

Length 80 cm
Width 80 cm
Height 5 cm

Photo: ©Liz Clay
Diamond Chevron quartet

Inspired by the waterways and willow boughs near her Somerset home, Liz Clay made this wall set by individually mounting four hand felted panels within natural wood frames that expose the panels’ surface. Here Liz used hand dyed wool selected from heritage sheep breeds.

Length 45 cm
Width 45 cm
Height 4 cm

Photo: ©Liz Clay
Nuno Felt wall panel

For this wall panel Liz Clay used a contemporary hand felting technique which bonds wool fibres into sheer fabrics, like silk chiffon and fine cotton gauze. Aiming to innovate with the technique, Liz layered fabrics onto a wool base to create depth and tonal variation.

Height 160 cm
Width 80 cm

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