This pot full of flowers was created with the commesso fiorentino technique. The vase is made of lapis lazuli, while Belgian black was used for the contrasting background. As for the flowers, tulips are in red Egyptian jasper, daisies in yellow chalcedony from Volterra, convolvuli in amethyst, and daffodils in white chalcedony.

In this scene, a priest climbs towards San Miniato in the summer heat. Created with the commesso fiorentino technique, the piece is made of yellow chalcedony (for the walls and the priest’s umbrella), black lilac of Chianti (for the priest’s robe), and Impruneta gabbro green (for the trees). In the background, the dome of the church, made of red chalcedony from the Pyrenees, can be seen.

This lake landscape with a small village overlooking the water was made with the commesso fiorentino technique. The lake is made of onyx, the mountains of lapis lazuli and the sky of afyon marble.

In this frame, a Volterra agate boat, with sails of labradorite and sodalite, sails on a sea of lapis lazuli, under an onyx sky. The artwork is made with the commesso fiorentino technique.

This piece is an artwork commissioned by the son of a couple who swore eternal love in front of the Sankaty lighthouse. Created with the commesso fiorentino technique, the piece is made of white chalcedony from Volterra and red chalcedony from the Pyrenees for the lighthouse, lapis lazuli for the ocean, green of Sweden and yellow chalcedony for the meadow and daffodils.