This brooch is padded using wool fibres and is embroidered using a range of traditional metal thread embroidery techniques in shades of copper, silver and green. These include couched passings, couched pearl purl, applied metal purls, pleated passings and applied beads and sequins. The design is based on the floral patterns of cut cane Italian Millefiori glass

The Blue Wren is a needlework etui. Built around a 3D printed body form, with cast bronze legs and beak, it holds a silver thread-waxer, has a thread cutter in its beak and needles can be stored beneath its wings. The body is covered in tiny panels of hand embroidery on wool fabrics, using metal threads, pleated ribbons, sequins and needlelace. The bird rests on a hillock of embroidered velvet.

The owl is a needlework etui, with a 3D printed internal form and bronze legs. The head can be lifted to reveal space to hold a thimble and pin cushion. The chest is worked on linen canvas with silk and metal threads. The head is covered in needlelace using dyed cottons, and the face is shaded using silk gimps. The wings are worked using pleated ribbons, sequins and wool shading.

This is a pair of white children's gloves embroidered with the Coat of Arms of Timothy Hailes, Aldermanic Sheriff of the City of London. The arms are embroidered in traditional shades of blue, red and gold, in fine cotton threads using the technique of needle-painting, further embellished with silver plated and enamelled embroidery threads and silver plated spangles.

This altar front was worked in appliqué with free-machine embroidery and painting and embellished with hand-embroidered details in metal thread work, sequins and crystals. The panels are stretched taut onto wooden panels which sit over the purple draped cloth and are attached to the altar using hidden bolts. The panels are removable, allowing the colour of the cloth behind to be changed with the church seasons.