When working with clay, the possibilities are endless. I believe clay is one of the humblest building materials and the process is very grounding. I like exploring its boundaries, surface texture, strengths and weaknesses. Clay has unique and timeless properties that live within it. The sacred comfort I find while working is captivating as it can bring time to a standstill.

The name of my workshop, KUZA, comes from the traditional ceramic vessel that was part of every household to transport and store water and other liquids. I always try to have a subtle reference in my work that can reflect on Cypriot culture, either by studying ancient forms or colour palettes.

A well made piece can be subjective. Of course, it needs to be durable, lightweight and have an enjoyable texture, but for me it is crucial for a piece to evoke emotions and celebrate the raw material. A well made ceramic piece will make you stop, look and touch.

My main sources of inspiration are architectural movements, interior, product design, and natural sites. I combine traditional ceramic making techniques with contemporary ideas. I explore the relationship between form and function in an attempt to find the ideal balance for a handmade item in a space.