Our ancient books constantly need restoration, and I feel passionate about contributing to this task. There are certain rules for painting or restoring a miniature and it has taken me years of hard work to master them. But I never regretted my choice of profession.

I take my work very seriously. I am particularly happy when I manage to source spare sheets of ancient paper that I can use for my own work. Alternatively, I make my own paper and I also use my own paints that I make using natural products.

Restoration of ancient works requires profound knowledge. Everything has to be done in the same style in which it was originally made. This of course helps me to learn and understand more and more every time and that inevitably influences my own practice.

For me the most important thing is to help each student to realise their potential. They learn to follow their passion and it pushes them forward. Many of them are so gifted that their works astonish me with their subtlety and inner power, even though they are still very young.