The perspective of Anam Cara (“soul-friend” in Celtic) allows us to enter a world of ancient belonging. This sculpture depicts a woman covered in flowers. The figure is hand-built using a pinching technique, then covered with individually modelled flowers and finally fired at 1140°C.

This half figure statue depicts the ancient Greek nymph Daphne, who escaped from Apollo by being turned into a laurel tree. The figure was made from black stoneware with details of blue and gold, with branches growing out of her body.

This sculpture depicts a reclining woman with her hair covering her face. The figure is resting on a tree root like form, and she could be rising or falling. The sculpture is hand-built using a pinching technique, and the hands, feet and face are subsequently modelled. The piece is glaze-fired to 1280°C.

A representation of Saint Sebastian, this figure has removable arrows protruding from his body. Much of the modelling is focused on the hands and face. Cobalt blue flowers bleed and blur over the surface of the body, creating a sense of movement, with flecks of gold lustre over the blue glaze.

This sculpture depicts a woman covered in flowers. The figure is hand-built using a pinching technique and then covered with individually modelled porcelain flowers. The piece is fired to 1280°C.