This oval piece is thermoformed glass with a face print in the centre. The eyes are void, overlaid with black grisaille on both parts of the piece forming two large, deep, empty holes. Roots emerge from the eye sockets, scattering over the face. A marked mouth, in a Japanese style, is inspired by Cécile Delanoë's travels to Asia. This piece is a questioning about our roots and the projection of who we are through what we see.

This is a large wooden frame painted in white with a thin sheet of thermoformed glass pinned on the front. It is an octopus painted with a pen. Black lines and touches of silver and yellow punctuate the representation. In the background, a thermoformed square gives a second dimension to the work with tentacles.

This is the painting of an abyssal fish in dark blue to brown tones on a thermoformed glass plate with jellyfish prints. The glass is covered at the top and bottom with an aluminium tube on which a leather cord representing the nets of the large trawlers of massive fishing is entwined. The work is then squeezed between these two tied tubes.

This is a thermoformed glass jellyfish. A fused glass plate holds 43 glass tentacles, all unique. Twelve LEDs are inserted in this plate on which the 'head' of the jellyfish with variable glass thickness is placed. A nine-minute light creation powers the 30 existing jellyfish. They all vary in shape, size, quantity of LEDs and tentacles.