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©Brigitte Arbelot
©Brigitte Arbelot
©Brigitte Arbelot
©Brigitte Arbelot
©Brigitte Arbelot

Brigitte Arbelot

  • Ceramicist
  • Uccle, Belgium
  • Rising Star
Brigitte Arbelot Ceramicist
Contact
French, English
Hours:
By appointment only
Phone:
+32 497457031
©Brigitte Arbelot

Vessels around the void

  • • Brigitte first worked as a veterinarian
  • • She is inspired by meditation and dreams
  • • Her work questions the essence of our humanity

After working as a veterinarian in Africa, France and Belgium, Brigitte Arbelot turned to ceramics. In 2017, she opened her own workshop in Brussels, where she focuses on ceramic sculptures and also makes utilitarian pieces. “I changed my life because working with clay is the best way to connect to my inner self and to the world,” she says. For Brigitte, her work acts as an interface between her consciousness and unconsciousness, the visible and invisible. She seeks links between immaterial emotions, vital energies and mineral matter. “The metamorphosis of clay during the working process allows me to give body to the notion of transformation and to question the essence of our humanity. My abstract sculptures are built like vessels around the void that is similar to the breath of life.”

Read the full interview

Works

  • ©Brigitte Arbelot
  • ©Brigitte Arbelot
  • ©Brigitte Arbelot
  • ©Brigitte Arbelot
  • ©Brigitte Arbelot
Photo: ©Brigitte Arbelot
Trance-Vase

This is a round abstract ceramic sculpture. It is a cerebral representation of the body, built like a vessel around the void that refers to the vital breath or soul. It was hand-built in stoneware and painted with a combination of glazes and engobes. The surface has matte and glossy areas in shades of white, blue and ochre. It was fired twice in an electric kiln at 950°C and 1230°C.

Photo: ©Brigitte Arbelot
Trance-Vase

This abstract ceramic sculpture evokes a moving body. It is a cerebral representation of the body, built like a vessel around the void that refers to the vital breath or soul. It was hand-built in stoneware and painted with a combination of glazes and engobes. The surface has matte, glossy and bubbly areas in shades of white, grey and brown. It was fired once in an electric kiln at 1230°C.

Photo: ©Brigitte Arbelot
Trance-Vase

This is an abstract ceramic sculpture that is a psychological representation of the body, built like a vessel around the void that refers to the vital breath or soul. It was hand-built in stoneware and painted with a combination of glazes and engobes. The surface has matte, glossy and bubbly areas in shades of white, grey, brown and ochre. It was fired in an electric kiln at 950°C and 1230°C.

Photo: ©Brigitte Arbelot
Trance-Vase

This is an abstract ceramic sculpture. It is a mental representation of the body, built like a vessel around the void that refers to the vital breath or soul. It was hand-built in stoneware and painted with a combination of glazes and engobes. The surface has matte, glossy and bubbly areas in shades of white, grey, brown and ochre. It was fired in an electric kiln at 950°C and 1230°C.

Photo: ©Brigitte Arbelot
Trance-Vase

This is an abstract ceramic sculpture. It is a psychological representation of the body, built like a vessel around the void that refers to the vital breath or soul. It was hand-built in stoneware and painted with a combination of glazes and engobes. The surface has matte, glossy and bubbly areas in shades of blue, grey, black and ochre. It was fired in an electric kiln at 950°C and 1230°C.

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