What impresses you most about tufting?
It is a technique similar to embroidery, used for rug-making and candlewick bedspreads made with chenille yarn on a cotton muslin base. The machine has a huge needle, big enough to accept the chunky chenille yarn. The result is a pattern that excites the eye, and definitely entices the viewer to reach out and touch.
Is your tufting technique 100% traditional?
No, I am trying to update the craft, bringing a more refined and unexpected outcome. What I want to achieve is a more delicate result with fine threads and sophisticated fabrics. That is why I asked an engineer to customise my tufting machine to suit my needs, so it is very unique.
Can you describe your creative process?
I explore textural landscapes through drawing on location, mark-making and gathering photos. I then return to the studio where I work on different ideas in my sketchbook before scaling them up on paper with drawing and collage. I sample thread and fabric combinations and produce small fabric sketches before moving on to create a final piece.
What materials do you use?
I almost always use wool fabric and fine threads. The wool fabric is sourced from a few key suppliers in the UK who produce outstanding quality melton wool fabric with a luxurious finish. As for the thread, it is refined but sturdy enough to withstand the tufting process.