Standing in a rectangular shape, the composition of this bright bas-relief is made of many feather-like shaped strips of papers, which are overlayed. The natural colour of the rag paper, burnt on the cut edges, the ink blue, and some touches of bright colours such as the blue of cyanotype, Turkish blue and green create a harmonious palette. Several techniques were used in the making of this artwork.

This vibrant bas-relief is made of sculpted paper. The piece is composed of several small paper cuts in the shape of feathers, which are superimposed. The natural colour of the rag paper, burnt on the cut edges, and the ink-blue paper, interact with some touches of bright colours. Various techniques were applied to the making of the composition, including hand-cut paper, cyanotype – a photographic printing process – and collage.

From the series called Firebirds, this vibrant paper artwork is composed of many feather-like shaped strips of paper. Shades of natural white, beige, petrol blue, faded purple and dark red compose the colour palette. Different techniques were applied to the realisation of this bas-relief, including hand-cut paper, the photographic printing process of cyanotype and collage.

Standing in a rectangular frame, this bas-relief is made of hand cut sculpted paper. Small feather-like strips of cut paper are superimposed to create the bright composition. The natural white of the rag paper, burnt on the cut edges, dominates the colour palette together with the ink blue paper, and interact with subtle touches of light colours such as Turkish blue, and beige.

This bas-relief is made of hand cut and sculpted paper. The composition is formed with many feather-shaped strips of cut paper in various sizes and colours. The natural white of rag paper, the ink blue paper and a paper with a shibori like pattern compose the bright colour palette. Different techniques were applied in the making, including hand-cut paper, cyanotype and collage.