It was when I was working as an orthotist, making custom-made corsets for patients with scoliosis. One day, a patient broke down in tears when she saw this faded pink corset she had to wear for the rest of her life. I decided to customise it by working on the fabric panels with colour, and so on. I took great pleasure in making it a “couture” corset for her.

In my workshop I specialise in the broché technique, where embroidery and weaving come together to create more pictorial motifs and curves in the weft and warp structure. I also do a lot of sculpture on the loom, working the curved motif with the threads while weaving.

The innovation lies in my way of combining materials, and the unique character this generates. This is how I created a unique textile with Lucile Viaud, a glass artist and researcher: glass weaving. We innovated by bringing together our two skills: glass thread and weaving.

Through the choice of raw materials I use, it is. Linen from Nord-Pas-de-Calais, French hemp from Tissages d'Autan in the Pyrenees, wool from Filatures du Parc in Occitanie. I work mainly with partner suppliers in France and combine these local fibres with others such as raffia from Italy, banana thread from India, and such like.