Because Reinhilde enjoys the interaction between his pieces and their viewers, he created this design that moves when someone approaches it. The clay sections that make up the piece are not parallel. The base is wider than the top to ensure that it can be rocked slightly but will not roll over. When placed on a wooden floor, kinetic energy can move it, startling passers-by.

Width 8 cm
Height 7 cm

The alteration of a cooking utensil, simply by closing the top, modifies the design completely, both aesthetically and in terms of usefulness. By transforming the object into a three-dimensional sculpture, Reinhilde wanted to draw attention to the fine line between craft, design and art.

Length 5 cm
Width 10 cm
Height 10 cm

This stoneware sculpture is part of a series, The Rooster Crowed for the Sixth Time, a reflection on the misuse of power as well as the abuse of children by members of religious orders. Reinhilde considered how those accused of wrongdoing were transferred to other parishes in a vain attempt to solve the problem but resulting only in creating new victims.

Width 12 cm
Height 52 cm

This stoneware sculpture is part of a series, The Rooster Crowed for the Sixth Time, a reflection on the misuse of power as well as the abuse of children by members of religious orders. Reinhilde considered how those accused of wrongdoing were transferred to other parishes in a vain attempt to solve the problem but resulting only in creating new victims.

Length 31 cm
Width 9.5 cm
Height 14.5 cm

This stoneware sculpture is part of a series, The Rooster Crowed for the Sixth Time, a reflection on the misuse of power as well as the abuse of children by members of religious orders. Reinhilde considered how those accused of wrongdoing were transferred to other parishes in a vain attempt to solve the problem but resulting only in creating new victims.

Length 34 cm
Width 16 cm
Height 12 cm