As a painter I am inspired by Spanish contemporary artists and use mixed techniques. Mastering these techniques goes hand in hand with the skill of the restorer in removing the overpainting, filling the cracks and repainting obliterated areas, always mindful of preserving the artwork's authenticity.

I am passionate about investigating and adapting old techniques of restoration as well as newer ones, such as infrared and X-ray. In the analysis of pigments, the aid of chemistry is seminal. I like to delve into the identity and history of the work of art I am dealing with.

In 2011 and 2012 I was doing an internship at the restoration workshops of Seville's Museo de Bellas Artes, the second most important picture gallery in Spain. It was then that I had the honour of participating in the maintenance and restoration of El Niño de la Espina by Francisco Zurbarán.

It was in 2010, the restoration of Niño Jesús de la Esperanza, a cedarwood sculpture of the 1960s based on the Niño Jesús del Sagrario of Seville cathedral. The restoration took three months to complete and included cleaning the overpainted layers and adding missing fingers on both hands.