This black and white glass vase is part of a series created by Camille as a tribute to the photographer Edward Steichen (1879–1973), who was a major contributor to the Pictorialism movement. The movement claimed photography to be an art in its own right. Here, Camille transposes some key features of Edward Steichen’s favourite subject, the pond. The vase is composed of several layers of float glass, painted, fused, slumped and polished.

Height 23.5 cm
Diameter 32 cm

This red, green and white vase was inspired by mountain scenery. Miniature grey granite peaks are surrounded by the soft curves of mountains, streams and valleys. The vase is composed of several layers of float glass, painted, fused, slumped and polished.

Height 40.5 cm
Width 29 cm
Diameter 26 cm

Through this polychrome vase, Camille explores the topics of visual perception and optical illusion, overlaying two interpretations of the same landscape. She first created a chromatic study and then an optical illusion. The vase is composed of several layers of float glass, painted, fused, slumped and polished.

Height 34 cm
Width 22 cm
Diameter 25 cm

This polychrome vase is part of a series created by Camille as a tribute to the photographer Edward Steichen (1879–1973), who was a major contributor to the Pictorialism movement, which claimed photography to be an art in its own right. Here Camille transposes some key features of Edward Steichen’s favourite subject, the pond. The vase is composed of several layers of float glass, painted, fused, slumped and polished.

Height 23.5 cm
Diameter 32 cm

This vase is one of a series of four triangular vessels representing the four seasons, an environment threatened by global warming. The colours and geometric patterns of each vessel reflect the mood of each season. Global warming is symbolised by the dynamic application of overlapping colours. The vase is composed of several layers of float glass, painted, fused, slumped and polished.

Length 42 cm
Width 36 cm
Height 20 cm