This is a large 1.2m tall sculptural crucible made from lathe turned sycamore and encrusted in over one thousand small, individually turned and scorched oak pots. The exterior of the pot is extremely black and rugged, almost ugly, symbolising the chaos of life. This is in stark contrast with the interior of the crucible which is of whitened and highly finished sycamore wood which is extremely soft to the touch.

This is a lathe turned oak vessel which has been subjected to special drying conditions. The piece is turned to a wall thickness of approximately 4mm and has been studded with smaller wooden forms which punctuate the outer surface. This piece is almost gourd-like in its appearance with a bulbous form and organic curves.

A large 1.8m tall sycamore crucible, this piece, turned by hand on a woodturning lathe to a thickess of approximately 4mm has been hand textured using a U shaped gouge to give a pitted surface all over. The base is encrusted with hundreds of small, individually turned oak vessels which have been scorched. The vessels appear to be encasing the large sycamore crucible which is part of the symbolism of the work.

This is a small, lathe turned sycamore vessel. This piece, one of Robert George's smaller works at 15cm high, is turned to approximately 3mm wall thickness. The vessel is a very pale and natural creamy colour with a pronounced rim which has warped as part of the drying process.

A curious form, this hand turned wooden vessel has a highly patinated surface which is punctured with holes. There are nearly a dozen openings which allow you to easily peer right into the heart of the piece which has a highly organic aesthetic. The work was turned to a very fine wall thickness and allowed to warp as the wood has dried.