How do you express innovation and tradition in your work?
Every time I confront myself with the past. It is always necessary to look to the past to understand the future. The art of gilding is very old but you can always adapt it. In this way, I mix contemporary and ancestral, ancient and modern.
In what way is your craft linked to the territory?
Art is something universal and gilding perhaps even more so. It is a knowledge that has been passed on for centuries. My art is an art of silence, meditation and music, yet I try and collect the opposites to form a harmony.
©JYT
What are your sources of inspiration?
I take inspiration from everything. It can be a meeting, a discussion, the observation of a plant. The aesthetic aspect is central. I like to observe the most intimate harmony and balance between natural and material elements, combining aesthetics and purity.
What does well made mean to you?
I raise the piece, bringing the material together to give it a life and identity. When suddenly it exists, and stands alone by itself, it is then that I have the feeling of a job well done. I love to let the material stand alone, even with its flaws. It’s a mental process, but it’s very strong.