Why did you choose this craft?
Joe: It was a hobby that grew into a career. I inherited ironsmith skills from my grandfather. At six years old, I made rings from twisting copper wire and, inspired by my uncle’s sunglasses I made my own using Coke bottle bases and wire.
Ngoni: I never thought of becoming a silversmith. I was given an opportunity to try my hand at jewellery making, and it evolved from there.
Do you master any specific techniques?
Joe: Yes, lost wax casting, cabochon setting, and I specialise in working with fragile antique glass trade beads which are easily broken by heat and require a gentle touch.
Ngoni: I am an all-round silversmith. I specialise in etching silver, and I work with antique glass trade beads, too.
Wonai_Haruperi©Michelangelo_Foundation
Can you tell us a memorable moment in your professional life?
Joe: I was interviewed by the BBC World Service for a segment about life in the Ndau Collection workshop.
Ngoni: It was my first day in the workshop, I was given a necklace to polish and I failed at the task. The experience made me determined to succeed and master my craft.
How do you express tradition and innovation in your work?
Joe: In the workshop, we have moved from creating pieces entirely by hand to also using machines to make the process easier. There is still so much hand labour involved.
Ngoni: We use traditional methods like lost wax casting that we have adapted to suit local conditions and the materials we have to hand.