What’s your training and educational background?
I got a degree in set design at the Fine Arts Academy of Bologna, then studied costume design for two years at Verona Opera Academy and specialised in historical textiles in Florence. Before launching Nina Atelier in 2020, I spent years working in theatre, behind the scenes.
How is your craft linked to costume design?
On stage, costumes tell a story, helping characters to express themselves. In life, it should be the same. That’s why I spend a lot of time talking to my clients and getting to know them. The dream dress is not the most fashionable, but the one that makes you feel at your best.
©Erica Sacchetti
How would you define the style of your clothes?
I would say minimal and timeless, disconnected from trends and fashions. I like simple shapes, with a bit of a retro touch, and I love white. Only my scarves and shawls are extremely colourful. As a general rule, I’d never make a dress that I wouldn’t wear myself.
What is the most difficult part of your profession
Educating people, teaching them patience. It may take a whole year to make a ceremonial dress, a wedding gown or a suit from scratch. Weaving is the longest part, but a bespoke piece needs three or four fittings before finishing. It can be tiring, but it’s always worth it.