Does your love of stained glass influence your work?
Yes, there is a lot of colour. It's atypical work. Most of the time straw marquetry resembles wood marquetry, it’s the same skill, the same actions, the same techniques. So I try to use straw a little differently. I have a particular style, for sure.
What else inspires you?
Nature with all its colours and scents, particularly the trees and forests and empty horizons. I’m also inspired by the Art Deco years and artists such as Hopper and Mondrian, and music – everything from jazz to baroque. But I particularly think about the simplicity of nature.
© Julien Cresp
How does your work draw on tradition and innovation?
By continuing to work on the restoration of old objects in straw marquetry. In fact, if I’m innovative, it’s because restoration always challenges me. They were doing extraordinary things in the past, so restoration pushes me to understand techniques and to think beyond the limits of the material.
What do you most enjoy about your work?
The sensuality of straw, the time it takes, and the surprise that is always there when I finish a piece and I touch it and look at it. Sometimes it takes a long time; one piece took six months. When I try out techniques and do things differently it takes even longer.