How did you come across clay?
In my younger days, I encountered ceramics on various occasions, but it wasn't until I was 38 that I decided to work with clay professionally. When I established my studio in 2003, I wanted to develop a series of functional items.
What is the connection between paper and porcelain?
I have always been fascinated by paper – by the structure, the sensuousness and the way paper folds. I am also fond of porcelain – its colour, expression, elegance and transparency. The series emerged out of my wish to translate the paper expression into porcelain.
©Kirstine Autzen
How did you become inspired by Japan?
Beautiful things from other cultures have always drawn my attention: maybe I was just born an aesthete? I have never been to Japan, and Japan hasn't been an intentional inspiration, but many people see that in my work because of the simplicity and clean lines of the tableware.
What is your relationship to colours?
I cherish the calm, harmonic and hued colours. I have travelled a great deal in Greenland and northern Sweden and Norway, and I love the natural colours there: sea, sky, iceberg, rocks, sand and seashells. The subtle blue shades and the creamy white.