Where does your love for glasswork come from?
I first tried my hand at glass making at university, and it was love at first sight. To this day I am infatuated by the optical properties of glass, by the contradictions of the material and its ability to capture and freeze a moment of the making process.
Why do you prefer working with recycled glass?
My glassblowing studio is very energy dependent, since we have a furnace and ovens running all the time. As I am very aware of this and wanted to reduce our imprint, I started sourcing recycled glass. It is a small thing we are doing, but it is still something.
©Chris Seddon
How do you express tradition and innovation in your work?
I use skills that have remained unchanged for centuries. To modernise them, I made tools with which I can scribe lines into glass, while it is still hot. So, by simple means and tools, I made a way to embellish glass in a different way.
What is your dream project?
I would love to do a large-scale installation in glass, metal and wood, perhaps over a big piazza outdoors or in a huge atrium. Not necessarily an enormous piece, but one with many small glass and light components that would create something visually grand.