These thrown white porcelain moon jars belong to the Icelandic collection. They are glazed with a combination of tin and cobalt oxide dipped and poured. The textures are created with a Japanese comb tool whilst throwing to enhance the thrown lines.

These thrown white porcelain moon jars are a reference to Korean traditions and the purity of the moon jar form. Kirsty Adams takes inspiration from the volcanic mountain ranges surrounding Reykjavik in Iceland. The jars are textured with a Japanese comb tool whilst throwing. The edges are finished with an oxide and bronze rim detail.

Taking inspiration from Northumberland’s coastlines and rockpools, this dish was thrown in onyx porcelain, part glazed, part unglazed. The unglazed pebbles sitting nestled on the unglazed part are sculpted and hollowed from onyx porcelain.

This tall and narrow moon jar is inspired by the volcanic landscapes of the Reykjanes Peninsula. The inside was poured with a copper green glaze, dipped on the rim with layers of copper green and rutile. The clay surface is textured with a Japanese comb tool whilst throwing to enhance the thrown lines.

This is a tall, straight sided vessel in a black textured stoneware, poured and dipped inside and out with copper green and brushed on the rim with rutile. Reflecting the mossy, volcanic landscapes and escarpments of the Reykjanes Peninsula, it belongs to the Icelandic collection. Texture was added with a Japanese comb tool to enhance the lines from throwing.