This vase was made on the potter's wheel and glazed on the inside only. The relief was obtained by using the shellac technique. It was fired twice in an electric kiln.
Height 17 cm
Width 8 cm
"As a lawyer, you mainly work with your head. However, I was missing a sense of passion," says Dutch artist and ceramicist Jacqueline Harberink. She rediscovered her passion by first attending an evening course in ceramics in Milan, then slowly building up her knowledge by enrolling in further courses in Escuela de Ceramica de Moncloa, Madrid. She deepened her skills by attending specific workshops, learning from Luca Tripaldi and Martha Pachon Rodriguez. Her obsession with difficult techniques is clearly reflected in her use of the laborious 14th century Chinese rice grain technique and the shellac technique. She hones her style with hints of the Amsterdamse School aesthetic and natural organic forms, while adding a modern twist.
Read the full interviewPhoto: © JHA Porcelain
This vase was made on the potter's wheel and glazed on the inside only. The relief was obtained by using the shellac technique. It was fired twice in an electric kiln.
Height 17 cm
Width 8 cm
Photo: © JHA Porcelain
These candleholders were made on the potter's wheel and glazed on the inside only. The relief was obtained by using the shellac technique. They were fired twice in an electric kiln.
Height 9 cm
Width 7.5 cm
Photo: © JHA Porcelain
This vase was made by slip casting with a black porcelain slip. It was glazed on the inside only. The relief was obtained by using the shellac technique. It was fired twice in an electric kiln.
Height 35 cm
Photo: © Francesco Cipriani
This bowl was made by slip casting. It was glazed with a homemade acqua verde glaze on the inside only. It was fired twice in an electric kiln.
Width 25 cm
Depth 5 cm
Photo: © JHA Porcelain
This bowl and accompanying plates were made by slip casting. The bowl was glazed with a homemade acqua verde glaze on the inside only. The black plate was made with black coloured porcelain. Both plates were glazed with a semi-transparent glaze on the top. All the pieces were fired twice in an electric kiln.
Width 14 cm
Height 8 cm
Width 21 cm
Depth 1 cm
Width 15 cm
Height 1 cm